ca. 1860-1890’s, [carte de visite portrait of a musician hard at work with his beautiful mother-of-pearl inlay guitar]
via Capitol Gallery, Cabinet Card & Carte de Visite Catalogue

ca. 1860-1890’s, [carte de visite portrait of a musician hard at work with his beautiful mother-of-pearl inlay guitar]

via Capitol Gallery, Cabinet Card & Carte de Visite Catalogue

ca. 1870, [carte de visite of the “Circassian Beauty”, identified on verso as Selina Sunubia, in costume], Charles Eisenmann
via Ebay

ca. 1870, [carte de visite of the “Circassian Beauty”, identified on verso as Selina Sunubia, in costume], Charles Eisenmann

via Ebay

ca. 1860-90, [cabinet card, portrait of a frame maker with his tools], A. L. Walline
via Be-Hold Fine Photographs

ca. 1860-90, [cabinet card, portrait of a frame maker with his tools], A. L. Walline

via Be-Hold Fine Photographs

ca. 1900, [cabinet card, portrait of Cornelius C. Kenney outdoors with a bear pelt, fancy hat, and a rifle]
via Harvard University’s Schlesinger Library on the History of Women in America, Radcliffe Institute

ca. 1900, [cabinet card, portrait of Cornelius C. Kenney outdoors with a bear pelt, fancy hat, and a rifle]

via Harvard University’s Schlesinger Library on the History of Women in America, Radcliffe Institute

ca. 1850’s, [daguerreotype portrait of two instrument repairmen and a child]
via Cowan’s Auctions

ca. 1850’s, [daguerreotype portrait of two instrument repairmen and a child]

via Cowan’s Auctions

ca. 1860-80’s, [carte de visite, portrait of a mutton chopped luthier working on a violin]
via Macrafly, Curated Historic Photography

ca. 1860-80’s, [carte de visite, portrait of a mutton chopped luthier working on a violin]

via Macrafly, Curated Historic Photography

ca. 1843, [Self-portrait daguerreotype  of Robert Cornelius with laboratory instruments], Robert Cornelius
via the George Eastman House Collection, Still Image Archive

ca. 1843, [Self-portrait daguerreotype of Robert Cornelius with laboratory instruments], Robert Cornelius

via the George Eastman House Collection, Still Image Archive

ca. 1860-70’s, [ambrotype portrait of a butcher and his son, preparing to slaughter a sheep]
via Cowan’s Auctions

ca. 1860-70’s, [ambrotype portrait of a butcher and his son, preparing to slaughter a sheep]

via Cowan’s Auctions

ca. 1875, [tintype portrait of a mechanic with a pipe]

via the International Center of Photography

ca. 1875, [tintype portrait of a mechanic with a pipe]

via the International Center of Photography

ca. 1880’s, [carte de visite portrait of a British police officer arresting a “street tough”], Isaac Preston
via Christopher Wahren Fine Photographs, Skylight Gallery #34

ca. 1880’s, [carte de visite portrait of a British police officer arresting a “street tough”], Isaac Preston

via Christopher Wahren Fine Photographs, Skylight Gallery #34

ca. 1860’s, [ambrotype portrait of a dignified gentleman, possibly a sailor, posed in front of a painted mural of a whaling scene]
via Ebay

ca. 1860’s, [ambrotype portrait of a dignified gentleman, possibly a sailor, posed in front of a painted mural of a whaling scene]

via Ebay

ca. 1880’s, [tintype portrait of two men with their high wheel bicycles]
via Flickr, Lorne Sheilds’ Photostream

ca. 1880’s, [tintype portrait of two men with their high wheel bicycles]

via Flickr, Lorne Sheilds’ Photostream

ca. 1870-1900’s, [cabinet card, portrait of a butcher sharpening his blade]
via Capitol Gallery, Spring 2007 Auction #61

ca. 1870-1900’s, [cabinet card, portrait of a butcher sharpening his blade]

via Capitol Gallery, Spring 2007 Auction #61

ca. 1850’s, [daguerreotype occupational portrait of a telegraph operator]

“When Samuel Morse used an electrical telegraph to send the message “What Hath God Wrought” in May, 1844 from Washington, D.C. to Baltimore, Maryland, he transformed communication in the United States. By the end of the Civil War, the telegraph had become the means by which information was transmitted long, as well as short distances.”

via Cowan’s Auctions

ca. 1850’s, [daguerreotype occupational portrait of a telegraph operator]

“When Samuel Morse used an electrical telegraph to send the message “What Hath God Wrought” in May, 1844 from Washington, D.C. to Baltimore, Maryland, he transformed communication in the United States. By the end of the Civil War, the telegraph had become the means by which information was transmitted long, as well as short distances.”

via Cowan’s Auctions

ca. 1875, [outdoor tintype portrait of newsboys waiting in front of a hotel]

via the International Center of Photography

ca. 1875, [outdoor tintype portrait of newsboys waiting in front of a hotel]

via the International Center of Photography

"Until the handkerchief of history covers us with its Times New Roman black and white post script..."

This blog is a collection of vernacular photography and ephemera focused mainly within the curious and often misunderstood realm of 19th century America. I have a soft spot for all things silly, antiquated, macabre, and grotesque. The content is from a variety of collections; public, academic, and private. In addition, there's an occasional emphasis on Ulysses S Grant and the Civil War, as well.

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Browse by Photograph Type: Tintypes, Daguerreotypes, Ambrotypes, Carte de visites, Albumen prints, Cabinet cards, Silver prints

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