ca. 1855, [daguerreotype portrait of a gentleman holding his daughter], Lewis Babbit
- June 16 2013 | 188 Notes - Read More →
ca. 1855, [daguerreotype portrait of a gentleman holding his daughter], Lewis Babbit
ca. 1850’s, [father-daughter daguerreotype portrait]
via Ebay
ca. 1870’s, [carte de visite portrait of a performing family of circus acrobats and a clown], E. Gregson
via Ebay
ca. 1860-90’s, [carte de visite portrait of Eli Bowen,”The Legless Acrobat”, with his wife and child], A. Newman
ca. 1900, [cabinet card, split portrait of mustachioed Cornelius and Clinton Kenney, brothers, with shaved heads], New York Photo Co.
via Harvard University’s Schlesinger Library on the History of Women in America, Radcliffe Institute
ca. 1850’s, [daguerreotype portrait of a gentleman and his daughter]
ca. 1870’s, [hand-tinted tintype portrait of shy-looking girl sitting on her father’s lap]
ca. 1880-89, [“hidden-mother” tintype portrait with three children]
Tintype showing one child held by a “hidden father” or “hidden mother” exemplifies a genre of photography in which an adult is obscured with a blanket or fabric while holding a baby or child from behind or to the side. A frame or matte was then used to crop the image so that only the intended sitters would be in view.
ca. 1870-90’s, [carte de visite portrait of Eli Bowen,”The Legless Acrobat”, with his wife and child], A. Newman
ca. 1855, [daguerreotype portrait of a gentleman holding his daughter], Lewis Babbit
ca. 1875, “The Sutherland sisters with their brother Charles”, [cabinet card portrait of sever long-haired women with a gentleman]
The seven Sutherland sisters included Sarah, Victoria, Isabella, Grace, Naomi, Dora and Mary. Starting in upstate New York where their father owned a farm, the girls became famous for their long hair and singing ability.
via the American Antiquarian Society, Group Photographs Collection
"Until the handkerchief of history covers us with its Times New Roman black and white post script..."
This blog is a collection of vernacular photography and ephemera focused mainly within the curious and often misunderstood realm of 19th century America. I have a soft spot for all things silly, antiquated, macabre, and grotesque. The content is from a variety of collections; public, academic, and private. In addition, there's an occasional emphasis on Ulysses S Grant and the Civil War, as well.
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