ca. 1845, [daguerreotype self portrait with a folio volume], Jean-Gabriel Eynard
"In this self-portrait, SwissJean-Gabriel Eynard imagined himself as a subject in an painting. Hunched over the large volume in seated profile, Eynard probably drew upon Dutch painting as a source to create this image. The image of a saint reading occurs frequently in Rembrandt van Rijn’s paintings, etchings, and drawings, which Eynard had seen. The debt to this tradition is especially evident in the way the light appears to emanate from the open book.”
ca. 1854, [ambrotype portrait of a yawning man]
ca. 1870-90’s, [carte de visite portrait, likely of an actress], Charles Eisenmann
ca. 1850’s, [daguerreotype portrait of a gentleman with flowers]
ca. 1855, [daguerreotype portrait of Helia Harrison embracing a bust of George Washington], Gabriel Harrison
Anonymous asked: what do you look like?
since i was old enough to furrow my brow and not read social cues my face gives the impression of perpetual crisis.
Anonymous asked: who are you? did you live in the 19th century at all? what was your occupation back then, blacksmith i'm guessing? or perhaps a horserider for the post office or a bartender? i'm a graphic designer and i'm currently starting a "ghost series" of original photos with photos of historical 19th century people added to them to create the illusion of ghosts. so finding your blog today was perfect timing. cheers!
speaking purely from a statistics while indulging in a bit of counterfactual history, i spent the gilded age penniless, afraid of cities, of the future, of disease.
strangely, it stings with a distinct familiarity…
god speed on your endeavors, sir.
I just wanted to let you all know how much I appreciate your following this blog after more than three years of posting.
I just landed a summer internship at an auction house in a department focused on fine English & continental furniture, silver, and decorative arts.
"Until the handkerchief of history covers us with its Times New Roman black and white post script..."
This blog is a collection of vernacular photography and ephemera focused mainly within the curious and often misunderstood realm of 19th century America. I have a soft spot for all things silly, antiquated, macabre, and grotesque. The content is from a variety of collections; public, academic, and private. In addition, there's an occasional emphasis on Ulysses S Grant and the Civil War, as well.
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