ca. 1843, [Self-portrait daguerreotype of Robert Cornelius with laboratory instruments], Robert Cornelius
via the George Eastman House Collection, Still Image Archive
- May 2 2013 | 177 Notes - Read More →
ca. 1843, [Self-portrait daguerreotype of Robert Cornelius with laboratory instruments], Robert Cornelius
via the George Eastman House Collection, Still Image Archive
ca. 1870-1900’s, [cabinet card, “a teacher with students” at a blackboard], The English Studio, Baku
via Luminous Lint, from the private collection of John Toohey, LL/44895
ca. 1860-90’s, [cabinet card of two women sitting at a table examining a starfish and other specimens using magnifiers], J.R. Thomas
ca. 1850’s, [daguerreotype portrait of four nonplussed boys posed behind science and lab equipment; photo backed with a printed entrance ticket for “Severn Street British School Christmas Tea Meeting”]
ca. 1888, “The Moon, August 21st, 1888—From negatives made with the great telescope of the Lick Observatory”, Isaiah West Taber
ca. 1860’s, [ambrotype portrait of a young English student with his microscope]
ca. 1860-90, [tintype portrait of of either a young photographer, pharmacist, or chemist with a scale, various bottles and chemicals. Another person in the foreground is turned away from the camera, admiring photos displayed in the case]
ca. 1851, [daguerreotype stereograph of a scientist in his laboratory], John Benjamin Dancer
via the Victoria & Albert Museum, Prints Drawing and Paintings Collection
ca. 1855, [skeleton specimen salt print of Dinornis Elephantopus, for the British Museum], Roger Fenton
via the J. Paul Getty Museum, Prints, Photographic Collections
ca. 1850’s, [portrait of several boys behind a science experiment]
via the Metropolitan Museum of Art, Photographic Collections
ca. 1880, [portrait of a chemist]
ca. 1890’s, [portrait of a French scientist with specimens], N. Charmantray
"Until the handkerchief of history covers us with its Times New Roman black and white post script..."
This blog is a collection of vernacular photography and ephemera focused mainly within the curious and often misunderstood realm of 19th century America. I have a soft spot for all things silly, antiquated, macabre, and grotesque. The content is from a variety of collections; public, academic, and private. In addition, there's an occasional emphasis on Ulysses S Grant and the Civil War, as well.
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