ca. 1880, [tintype portrait of eight women displaying their hair]
via the International Center of Photography

ca. 1880, [tintype portrait of eight women displaying their hair]

via the International Center of Photography

ca. 1860’s, [trick carte de visite portrait of a figure with a gentleman’s head superimposed onto a woman’s body], E.A. Scholfield
via Connecticut History Online, Mystic Seaport, Scholfield Collection

ca. 1860’s, [trick carte de visite portrait of a figure with a gentleman’s head superimposed onto a woman’s body], E.A. Scholfield

via Connecticut History Online, Mystic Seaport, Scholfield Collection

ca. 1870’s, [double exposure, tintype portrait of a woman accompanied by a spirit]
via Luminous Lint, from the Andrew Daneman Collection of American Tintypes

ca. 1870’s, [double exposure, tintype portrait of a woman accompanied by a spirit]

via Luminous Lint, from the Andrew Daneman Collection of American Tintypes

ca. 1880, [cabinet card portrait of Ann Howard, the “Tattooed Lady”], G.F. Sterling
via  Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1880, [cabinet card portrait of Ann Howard, the “Tattooed Lady”], G.F. Sterling

via Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1850’s, [daguerreotype portrait of a pregnant women in a fine dress and curls]
via Be-Hold, Fine Photographs

ca. 1850’s, [daguerreotype portrait of a pregnant women in a fine dress and curls]

via Be-Hold, Fine Photographs

ca. 1880-1900’s, [tintype portrait of a one-armed woman]
via Jeffery Kraus Antique Photographics, Tintype Collection

ca. 1880-1900’s, [tintype portrait of a one-armed woman]

via Jeffery Kraus Antique Photographics, Tintype Collection

ca. 1850’s, [daguerreotype occupational portrait of a telegraph operator]

“When Samuel Morse used an electrical telegraph to send the message “What Hath God Wrought” in May, 1844 from Washington, D.C. to Baltimore, Maryland, he transformed communication in the United States. By the end of the Civil War, the telegraph had become the means by which information was transmitted long, as well as short distances.”

via Cowan’s Auctions

ca. 1850’s, [daguerreotype occupational portrait of a telegraph operator]

“When Samuel Morse used an electrical telegraph to send the message “What Hath God Wrought” in May, 1844 from Washington, D.C. to Baltimore, Maryland, he transformed communication in the United States. By the end of the Civil War, the telegraph had become the means by which information was transmitted long, as well as short distances.”

via Cowan’s Auctions

ca. 1860-90’s, [carte de visite collage portrait of “half a woman” on a table]
via Luminous Lint, from the private collection of Laddy Kite, LL/47896

ca. 1860-90’s, [carte de visite collage portrait of “half a woman” on a table]

via Luminous Lint, from the private collection of Laddy Kite, LL/47896

ca. 1880’s, [cabinet card, portrait of a tattoed lady, Nora Hildebrandt, wearing an elaborate dress], Charles Eisenmann
via  Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1880’s, [cabinet card, portrait of a tattoed lady, Nora Hildebrandt, wearing an elaborate dress], Charles Eisenmann

via Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1860’s, [ambrotype portrait of a woman riding side-saddle on her horse]
via Capitol Gallery, 19th Century Hard Images

ca. 1860’s, [ambrotype portrait of a woman riding side-saddle on her horse]

via Capitol Gallery, 19th Century Hard Images

ca. 1870-1900’s, [tintype portrait of two cloaked ladies smiling demurely from behind a palm fan]
via Cowan’s Auctions

ca. 1870-1900’s, [tintype portrait of two cloaked ladies smiling demurely from behind a palm fan]

via Cowan’s Auctions

ca. 1870-1900’s, [unusual carte de visite advertising portrait of girl with spoons and bells hanging from her dress, small urns perched on her shoulders, a pedestal with statue and clock seated on her head, etc. A banner by her side reads “Durfee” or Durpee”],  J. White & Co.
via Jeffrey Kraus, Antique Photographics

ca. 1870-1900’s, [unusual carte de visite advertising portrait of girl with spoons and bells hanging from her dress, small urns perched on her shoulders, a pedestal with statue and clock seated on her head, etc. A banner by her side reads “Durfee” or Durpee”],  J. White & Co.

via Jeffrey Kraus, Antique Photographics

ca. 1870, [carte de visite portrait of a tattooed lady looking into a mirror]
via  Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs
ca. 1870-90’s, [carte de visite portrait of a woman, possible a contortionist, in an elevated box]
via Ebay

ca. 1870-90’s, [carte de visite portrait of a woman, possible a contortionist, in an elevated box]

via Ebay

ca. 1880-90’s, [tintype portrait of two women adorned with stringed popcorn and possibly peanuts]
via Ebay

ca. 1880-90’s, [tintype portrait of two women adorned with stringed popcorn and possibly peanuts]

via Ebay

"Until the handkerchief of history covers us with its Times New Roman black and white post script..."

This blog is a collection of vernacular photography and ephemera focused mainly within the curious and often misunderstood realm of 19th century America. I have a soft spot for all things silly, antiquated, macabre, and grotesque. The content is from a variety of collections; public, academic, and private. In addition, there's an occasional emphasis on Ulysses S Grant and the Civil War, as well.

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Browse by Photograph Type: Tintypes, Daguerreotypes, Ambrotypes, Carte de visites, Albumen prints, Cabinet cards, Silver prints

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