ca. 1880, [cabinet card portrait of Ann Howard, the “Tattooed Lady”], G.F. Sterling
via  Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1880, [cabinet card portrait of Ann Howard, the “Tattooed Lady”], G.F. Sterling

via Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1850’s, [daguerreotype portrait of a pregnant women in a fine dress and curls]
via Be-Hold, Fine Photographs

ca. 1850’s, [daguerreotype portrait of a pregnant women in a fine dress and curls]

via Be-Hold, Fine Photographs

ca. 1880-1900’s, [tintype portrait of a one-armed woman]
via Jeffery Kraus Antique Photographics, Tintype Collection

ca. 1880-1900’s, [tintype portrait of a one-armed woman]

via Jeffery Kraus Antique Photographics, Tintype Collection

ca. 1850’s, [daguerreotype occupational portrait of a telegraph operator]

“When Samuel Morse used an electrical telegraph to send the message “What Hath God Wrought” in May, 1844 from Washington, D.C. to Baltimore, Maryland, he transformed communication in the United States. By the end of the Civil War, the telegraph had become the means by which information was transmitted long, as well as short distances.”

via Cowan’s Auctions

ca. 1850’s, [daguerreotype occupational portrait of a telegraph operator]

“When Samuel Morse used an electrical telegraph to send the message “What Hath God Wrought” in May, 1844 from Washington, D.C. to Baltimore, Maryland, he transformed communication in the United States. By the end of the Civil War, the telegraph had become the means by which information was transmitted long, as well as short distances.”

via Cowan’s Auctions

ca. 1880’s, [cabinet card, portrait of a tattoed lady, Nora Hildebrandt, wearing an elaborate dress], Charles Eisenmann
via  Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1880’s, [cabinet card, portrait of a tattoed lady, Nora Hildebrandt, wearing an elaborate dress], Charles Eisenmann

via Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs

ca. 1860’s, [ambrotype portrait of a woman riding side-saddle on her horse]
via Capitol Gallery, 19th Century Hard Images

ca. 1860’s, [ambrotype portrait of a woman riding side-saddle on her horse]

via Capitol Gallery, 19th Century Hard Images

ca. 1870, [carte de visite portrait of a tattooed lady looking into a mirror]
via  Syracuse University Library, Special Collections Research Center, Ronald G. Becker Collection of Charles Eisenmann Photographs
ca. 1870-90’s, [carte de visite portrait of a woman, possible a contortionist, in an elevated box]
via Ebay

ca. 1870-90’s, [carte de visite portrait of a woman, possible a contortionist, in an elevated box]

via Ebay

ca. 1852, [daguerreotype portrait of Harriet Beecher Stowe]
via Harvard University, Schlesinger Library on the History of Women in America, Radcliffe Institute, Beecher-Stowe Family Papers
ca. 1870-90’s, [cabinet cart, portrait of sharpshooter  Bo Durtha, with her a single shot tip-up rifle and a mirror for over-the-shoulder trick shooting]
via Cowan’s Auctions

ca. 1870-90’s, [cabinet cart, portrait of sharpshooter Bo Durtha, with her a single shot tip-up rifle and a mirror for over-the-shoulder trick shooting]

via Cowan’s Auctions

ca. 1870-90’s, [cabinet card, staged hold-up of a couple perpetrated by another woman], H. N. Kent
via Carl Mautz Vintage Photography & Publishing, Cabinet Cards

ca. 1870-90’s, [cabinet card, staged hold-up of a couple perpetrated by another woman], H. N. Kent

via Carl Mautz Vintage Photography & Publishing, Cabinet Cards

ca. 1870-80’s, [tintype portrait of a girl with her cat]
via Ebay

ca. 1870-80’s, [tintype portrait of a girl with her cat]

via Ebay

ca. 1870, [tintype portrait of a drummer in uniform]
via Ebay

ca. 1870, [tintype portrait of a drummer in uniform]

via Ebay

ca. 1849, [daguerreotype portrait of Miranda Adkins Sneed in a fine dress and lace gloves]

 Miranda Adkins Sneed, wife of Sebron Graham Sneed and mother of eleven children, arrived in Austin in 1848. Sneed and her husband were prominent in local politics and were strong supporters of secession in 1861. Their home served as a recruiting station for Confederate soldiers during the Civil War and later was used as a hospital for wounded soldiers.

via  Southern Methodist Central University Libraries, DeGolyer Library, Lawrence T. Jones III Texas photography collection

ca. 1849, [daguerreotype portrait of Miranda Adkins Sneed in a fine dress and lace gloves]

Miranda Adkins Sneed, wife of Sebron Graham Sneed and mother of eleven children, arrived in Austin in 1848. Sneed and her husband were prominent in local politics and were strong supporters of secession in 1861. Their home served as a recruiting station for Confederate soldiers during the Civil War and later was used as a hospital for wounded soldiers.

via Southern Methodist Central University Libraries, DeGolyer Library, Lawrence T. Jones III Texas photography collection

ca. 1870-80’s, [tintype portrait of two women admiring cabinet cards and carte de visites]
via Ebay

ca. 1870-80’s, [tintype portrait of two women admiring cabinet cards and carte de visites]

via Ebay

"Until the handkerchief of history covers us with its Times New Roman black and white post script..."

This blog is a collection of vernacular photography and ephemera focused mainly within the curious and often misunderstood realm of 19th century America. I have a soft spot for all things silly, antiquated, macabre, and grotesque. The content is from a variety of collections; public, academic, and private. In addition, there's an occasional emphasis on Ulysses S Grant and the Civil War, as well.

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Browse by Photograph Type: Tintypes, Daguerreotypes, Ambrotypes, Carte de visites, Albumen prints, Cabinet cards, Silver prints

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